Splende il fuoco bianco della parola

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Stelio Carnevali
was born in Bagnolo San Vito (MN) in 1940.

In 1964, fifteen of his texts, gathered under the title Poesia come pane, were published thanks to Mario Artioli in the first issue of the journal Il Portico. In 1976, Alberto Cappi included his poems in the anthology Le proporzioni poetiche, 2, edited by Domenico Cara.

He later published an expanded edition of Poesia come pane (1992), Kalùbria (1995), In disparte (1998), L’altra stanza (1999), and Scritture peregrine (2001). In 1999, Maurizio Cucchi published his poem Tina in Specchio della Stampa, and in 2001 Una parlata bianca, later included in the collection of the same title published by Editoriale Sometti in 2002, with an introduction by Alberto Cappi.

Several of his works also appeared in La Bottega di poesia by Maurizio Cucchi in la Repubblica Milano.

In 2014, in collaboration with Vladimiro Bertazzoni, he published La morte ne infranse il volo, almost a biography of the Mantuan musician Aldo Ottolenghi. Between 2015 and 2020 he published three volumes dedicated to the Milanese painter Franco Rognoni.

Between 2022 and 2024 he published with FUOCOfuochino: È notte e con la notte una voce, Per mani esperte d’altro, and Anguria Blues.

In May 2024, during the tenth edition of the Terra di Virgilio Poetry Prize, he received the Alberto Cappi Lifetime Achievement Award.

Splende il fuoco bianco della parola was published in June 2024 in the Arca series, directed by Anna Maria Farabbi, in a co-edition by Al3viE and Pièdimosca.

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Description

I have sought, through careful and inevitable subtraction, to convey the poetry of Stelio Carnevali, identifying the mature texts in which his lyrical identity presents itself with clarity, depth, and purity.
His poetry arises from a style apparently turned toward the past. Yet, it manages to shape itself with a personal character, within which he kindles and composes a narrative succession, through a rhythmic lyricism capable of distilling its essential foundations.
The verse bursts forth with sudden cuts that break the predictable, streaking the sung experience with astonished bitterness—always in moving connection with the vegetal and animal world. Irony and self-irony intertwine with delicate, feathery lightness, drawing us into the quick spiral of the verses. The kaleidoscopic everyday cracks open. We enter a sliver of illuminated perspective, whether of the present or within the poet’s memory. Always with compassion and loving awareness.

Carnevali sings his Mantuan land, his mother-origin, never yielding to nostalgic, fetal, lamenting twists. On the contrary, he succeeds in overturning the weight of dramatic intensity, attaining a fresh, oxygenated lightness.

(…)

I wanted to host Carnevali’s voice, narrating the fundamental relational carpets of his life in the QR, so as to bring his entire work to completion—including his existential one.

—from the introduction by Anna Maria Farabbi,
director of the Arca series and editor of the volume

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