L’uroboro nell’opera di anna maria farabbi

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Milena Nicolini was born and lives in Modena, where she taught literature in a secondary school. She graduated in Philosophy under Luciano Anceschi and has carried out various activities in literary criticism and training, cultural promotion, artistic initiatives in non-professional theatre, and poetic writing.
She was a member of the associations Donne di Poesia and Rossopietra. She has collaborated with various journals and online platforms, and she is part of the editorial team of the blog CartaVetro. She has published several works of fiction and poetry.

Among her essays of literary criticism:

  • Dell’amor cortese, dal XII al XIV secolo, Rossopietra, 2016;

  • La meraviglia della creanza. La poesia di Anna Maria Farabbi dentro La casa degli scemi, Macabor, 2017, reissued by Al3vie in ebook format;

  • Gli esercizi della stupefazione e le vie della scelta nella poesia di Anna Maria Farabbi, Rossopietra, 2019, reissued by Al3vie in ebook version;

  • L’uroboro nell’opera di Anna Maria Farabbi, Rossopietra, 2019, reissued by Al3vie in ebook format;

  • Attraversamenti di Abse. Riflessioni sui testi di Anna Maria Farabbi, Rossopietra, 2013, reissued by Al3vie in ebook format;

  • La lingua corsara di Romana Guarnieri, in the collective volume E i libri e le anime. Romana Guarnieri. Un itinerario di vita, edited by Martina Bugada, Raffaella Molinari, Nella Roveri, Edizioni di storia e letteratura, 2023;

  • Istruzioni per l’uso di ninnananna talamimamma, Al3vie in co-edition with Pièdimosca Edizioni, 2023.

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AVAILABLE IN EBOOK VERSION
AMAZON KINDLE bit.ly/3VsUmc7

Through the analysis of the two texts Il canto dell’altalena and La tela di Penelope, jointly published by Pièdimosca edizioni and Al3vE-Kaba Edizioni, which mark fundamental stages in the writing of Anna Maria Farabbi, significant connections are drawn with other works by the author.

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