La meraviglia della creanza. La poesia di anna maria farabbi dentro La casa degli scemi

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Milena Nicolini was born and lives in Modena, where she taught literature in a secondary school. She graduated in Philosophy under Luciano Anceschi and has carried out various activities in literary criticism and education, cultural promotion, and artistic projects in non-professional theater and poetic writing. She has been a member of the associations Donne di Poesia and Rossopietra. She has collaborated with various journals and online platforms and is part of the editorial staff of the blog CartaVetro. She has published several works of fiction and poetry.

Among her works of literary criticism:

  • Dell’amor cortese, dal XII al XIV secolo (Rossopietra, 2016);

  • La meraviglia della creanza. La poesia di Anna Maria Farabbi dentro La casa degli scemi (Macabor, 2017; reissued by Al3vie as an ebook);

  • Gli esercizi della stupefazione e le vie della scelta nella poesia di Anna Maria Farabbi (Rossopietra, 2019; reissued by Al3vie as an ebook);

  • L’uroboro nell’opera di Anna Maria Farabbi (Rossopietra, 2019; reissued by Al3vie as an ebook);

  • Attraversamenti di Abse. Riflessioni sui testi di Anna Maria Farabbi (Rossopietra, 2013; reissued by Al3vie as an ebook);

  • La lingua corsara di Romana Guarnieri, in the collective volume E i libri e le anime. Romana Guarnieri. Un itinerario di vita, edited by Martina Bugada, Raffaella Molinari, Nella Roveri (Edizioni di Storia e Letteratura, 2023);

  • Istruzioni per l’uso di ninnananna talamimamma (Al3vie in co-edition with Pièdimosca edizioni, 2023).

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AVAILABLE IN EBOOK VERSION
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La casa degli scemi (“The House of Fools”) by Anna Maria Farabbi is undoubtedly a narration in poetry. The interweaving of prose and poetry is quite typical of the Umbrian author, “serving above all the particular pacing of the story and the significance assumed by certain narrative techniques, in which Farabbi, directly or indirectly, appears both as the driving force of the narration and as the ethical and aesthetic bearer of a reflection that responsibly intertwines writing with society, power, discrimination, violence—within an inner and artistic quest.”

This short essay by Milena Nicolini, written with critical insight, succeeds in weaving together the threads of the research of one of the most interesting voices in contemporary Italian poetry.

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