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La casa degli scemi (“The House of Fools”) by Anna Maria Farabbi is undoubtedly a narration in poetry. The interweaving of prose and poetry is quite typical of the Umbrian author, “serving above all the particular pacing of the story and the significance assumed by certain narrative techniques, in which Farabbi, directly or indirectly, appears both as the driving force of the narration and as the ethical and aesthetic bearer of a reflection that responsibly intertwines writing with society, power, discrimination, violence—within an inner and artistic quest.”
This short essay by Milena Nicolini, written with critical insight, succeeds in weaving together the threads of the research of one of the most interesting voices in contemporary Italian poetry.








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